About the song
“Weezer,” commonly referred to as the Blue Album, marks the debut studio effort of the iconic American rock band Weezer. Released on May 10, 1994, by DGC Records and produced by Ric Ocasek of the Cars, this album catapulted Weezer into the spotlight with its distinctive sound and memorable singles.
Formed in Los Angeles in 1992, Weezer initially struggled to find their niche in a music scene dominated by grunge. Their breakthrough came with the recording of a demo known as The Kitchen Tape in November, which caught the attention of major-label executives. They were subsequently signed to DGC Records in June 1993, paving the way for their debut album.
Recorded primarily at Electric Lady Studios in New York City between August and September 1993, *Weezer* showcases a blend of catchy melodies, crunchy guitars, and introspective lyrics. The band, consisting of Rivers Cuomo (vocals, guitar), Patrick Wilson (drums), Matt Sharp (bass), and later joined by Brian Bell (guitar), approached their music with meticulous detail. Cuomo and Sharp even practiced barbershop quartet-style harmonies to refine their vocal interplay, setting a distinctive tone for the album.
The album’s production process wasn’t without drama. Guitarist Jason Cropper was dismissed during recording due to personal issues, with Brian Bell stepping in to complete the lineup. Producer Ric Ocasek played a pivotal role in shaping the album’s sound, encouraging the band to experiment with brighter guitar tones and a unified approach to their instrumentation.
“Weezer” spawned several hit singles that became instant MTV favorites, including “Undone – The Sweater Song,” “Buddy Holly,” and “Say It Ain’t So.” Each of these tracks not only showcased Weezer’s musical prowess but also their ability to blend humor and introspection seamlessly.
Critically acclaimed upon its release, *Weezer* reached number sixteen on the US Billboard 200 and achieved triple platinum status in the United States by 1995, cementing its place as the band’s best-selling album. Over the years, it has consistently been hailed as one of the greatest albums of the 1990s, with Rolling Stone ranking it number 294 on its “The 500 Greatest Albums of All Time” list in 2020.
The album’s cover art, featuring the band against a plain blue backdrop, has become an iconic image associated with 1990s alternative rock. Designed by glamour photographer Peter Gowland and tweaked using Adobe Photoshop, it perfectly encapsulates the album’s straightforward yet distinctive appeal.
With its infectious melodies, raw energy, and lyrical depth, *Weezer* remains a cornerstone of alternative rock history, influencing generations of musicians and listeners alike. Its legacy continues to resonate, making it a timeless classic beloved by fans worldwide.
Video
Lyrics
What’s with these homies, dissing my girl?
Why do they gotta front?
What did we ever do to these guys
That made them so violent?
Woo-hoo
But you know I’m yours
Woo-hoo
And I know you’re mine
Woo-hoo
(And that’s for all time)
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you’re Mary Tyler Moore
I don’t care what they say about us anyway
I don’t care about that
Don’t you ever fear, I’m always near
I know that you need help
Your tongue is twisted, your eyes are slit
You need a guardian
Woo-hoo
And you know I’m yours
Woo-hoo
And I know you’re mine
Woo-hoo
(And that’s for all time)
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you’re Mary Tyler Moore
I don’t care what they say about us anyway
I don’t care about that
I don’t care about that
Bang, bang, a knock on the door
Another big bang and you’re down on the floor
Oh no! What do we do?
Don’t look now, but I lost my shoe
I can’t run, and I can’t kick
What’s the matter babe, are you feeling sick?
What’s the matter, what’s the matter, what’s the matter you?
What’s the matter babe, are you feeling blue?
Ooh-wee-hoo, I look just like Buddy Holly
Oh-oh, and you’re Mary Tyler Moore
I don’t care what they say about us anyway
I don’t care about that
I don’t care about that
I don’t care about that
I don’t care about that