About the song
“Handy Man” is a song that has experienced multiple transformations over its lifetime, showcasing its remarkable versatility and enduring appeal. Originally penned by singer Jimmy Jones and songwriter Otis Blackwell, the song’s journey began with its first recording by The Sparks of Rhythm. This initial version, though notable, featured a minor key and a distinct melody that differed significantly from the more famous renditions.
The most iconic version of “Handy Man” came in 1959 when Jimmy Jones recorded his own take. Jones’s rendition was reworked by Blackwell, who produced the session and contributed whistling that became a defining element of the track. This version, now in a major key and featuring a completely revamped melody, achieved substantial success, reaching No. 3 on the R&B charts and No. 2 on the Billboard Hot 100 in 1960. Its success extended internationally, securing a No. 3 position in Canada.
The song’s popularity did not wane over the decades. In 1964, Del Shannon released his own version, which reached No. 22 on the Billboard Hot 100 and No. 10 in Canada. However, it was James Taylor’s 1977 cover that brought “Handy Man” back into the limelight with remarkable success. Taylor’s version soared to No. 1 on the RPM Top Singles chart and No. 2 on the Cash Box Top 100 chart, while also topping the Adult Contemporary chart. Taylor’s rendition was notably different from the original; it featured a slow, laid-back tempo and highlighted his signature guitar work and smooth vocal delivery. This version earned Taylor his second Grammy Award for Best Male Pop Vocal Performance.
Critics have noted the differences between the versions of “Handy Man.” AllMusic critic Jason Elias remarked on the contrast, noting that while Jones’s original was “chipper and a little obnoxious,” Taylor’s version was “so laid back it’s almost somnolent.” Taylor’s arrangement turned the frantic pace of previous hits into a slow, reflective ballad. Billboard praised the “fluidly soft and laid back” quality of Taylor’s rendition, highlighting the tasteful balance achieved by producer Peter Asher. Cash Box similarly appreciated the mellow tone and well-balanced production of Taylor’s version, while Record World commended the transformation from the earlier energetic styles into a more considered ballad.
James Taylor’s version of “Handy Man” featured an ensemble of talented musicians including Danny Kortchmar on electric guitar, Leland Sklar on bass guitar, and Leah Kunkel providing background vocals. The song’s arrangement, with its mellow and introspective vibe, contrasted sharply with the more upbeat interpretations of the past, showcasing Taylor’s unique ability to breathe new life into a classic tune.
Overall, “Handy Man” remains a testament to the song’s enduring appeal, successfully adapting through different eras and interpretations while continuing to resonate with audiences.
Video
Lyrics
Hey girls, gather round
Listen to what I’m puttin’ down
Hey, baby, I’m your handy man
I’m not the kind that uses pencil or rule
I’m handy with the love and I’m no fool
I fix broken hearts, I know I truly can
If your broken heart, she needs repair
Then I’m the man to see, I whisper sweet things
You tell all your friends, they’ll come running to me
Here is the main thing I want to say
I’m busy twenty four hours a day
I fix broken hearts, I know that I truly can
Come, come, come, come, come, come, come
Yeah, yeah, yeah
Come, come, come, come, come, come, come, oh now
They’ll come runnin’ to me
Here is the main thing I want to say
I’m busy twenty four hours a day
I fix broken hearts, baby I’m your handy man
Come, come, come, come, come, come, come
Yeah, yeah, yeah
Come, come, come, come, come, come, come
Yeah, yeah, yeah
That’s me
(Come, come, come, come, come, come)
I’m your handy man
(Yeah, yeah, yeah)
That’s me
(Come, come, come, come, come, come)
I’m your handy man
(Yeah, yeah, yeah)